The Lord Ramachandra always served as a source of inspiration for poets for his ideal and desirable characters. We have innumerable compositions composed over the ages on the ‘martyavatara’ (the Lord who has taken the form of a human). Among all these compositions, the compositions or poems on his crowning ceremony ‘pattabhisheka’ deserve a special mention. It is said that reading or even listening to the ‘pattabhisheka’ sarga, available in the Yuddha Kanda, the sixth book of Srimad Valmiki Ramayana confers auspiciousness.
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Mylai Karthikeyan is a young, up and coming Nadaswara Vidwan hailing from Mylapore, Chennai. In his early 20s he has garnered a lot of appreciation from both Rasikas and organisers. He is keen on continuing with the tradition of the Mangalavadyam at standards set by earlier stalwarts who had a great following of Rasikas.

Natyam is striving for self-awareness, exploring and reveling in the latent emotions, for life is all about losing and finding oneself again and again, only to lose it all someday….
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Each episode of Vande Sangeetham by Vidwan Vijay Siva on You Tube covers a certain aspect of Carnatic music. It is not very technical nor does it go much into theory. But the information is useful for a lay listener who likes to hear good music and would like to know some information which would make it more interesting for him such as the Raga, who composed a particular Kriti and where it was done, and something about the story or philosophy contained in the lyrics.
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Consumption of art has undergone a metamorphosis in recent times, especially after COVID-19 pandemic led to the new normal. Read More

Layam is a common term in the field of Music and Dance. In one word, it can be described as tempo. Tempo refers to speed. All the movements which happen within a particular time frame in a proper rhythm is Layam. It is periodical in nature. It is the natural and inherent tempo
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Jayakrishnan Unni shares his interest in music and art.

A Glimpse into a Living Veena Bani. The uniqueness of our tradition, the Karaikudi Veena Bani, is that it has thrived over three centuries, eleven generations, and carried itself beyond the borders of India.
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I was doing some story telling through them that was online. But when I am doing it offline, we have always had groups like 30-40 kids and they call it as story time. They sit in a circle and I would basically expose them to concepts like swaras, arohanam, avarohanam, and ragam particularly.
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We record with a sense of loss the passing away of Vidwan B. Krishnamoorthy recently. He was not only a scholar in music, but also Sanskrit, philosophy, Vedantha etc. Born in a musically oriented family in Padarakudi near Karaikudi, when he moved to Chennai, he joined the Central College of Music in 1950 and had the opportunity to learn under some of the veterans like Musiri Subramanya Iyer, T. Brinda, Thiruppampuram Swaminatha Pillai etc. Later as a teacher in the college he was very popular among the students; he retired as the principal of the Music College at Madurai. He was a font of knowledge on music, a specialist in Tala and Tillanas. He was one of those unsung greats. His demise is a great loss to the Carnatic music world.

S. Chandramouli shares his multifaceted journy in music.

Although the Karaikudi Bani has spanned three centuries, our world of sound (‘nadam’) remains in its prime beauty. The art of ensuring the continuity of the tradition is a daunting task if we don’t continually breathe fresh into its survival.
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Interactive sessions also help children interact with classical dance and music in non-traditional formats. Read More

The beginning of spring is a beauty in the Pacific Northwest. Every year, we experience the grandeur of budding leaves in green, dew drops on flowers and the melodious chirping of birds chattering throughout the day. One such day brought Mouli a raga with a refreshing combination of notes depicting this exuberance in our spring.
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Conversation with Jayanth - prodigy and one of the finest flautists in carnatic music.

Compositions on Devi in carnatic music by great composers (vaggeyakara)
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Let us now consider the special significance in the creations of different Vaggeyakaras (composers) and artists. Some of them give just the physical description, while a few others go in for deeper meanings touching upon philosophy, mythology, epics etc.
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Muthuswami Dikshitar was a legendary composer, who is considered one of the musical trinity of Carnatic music. His compositions are noted for their elaborate and capturing the essence of the raga. His compositions on Ganesha are widely sung and played in classical concerts of Carnatic music.
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Conversation with Smt. Vijayaa Shanker. A multifaceted vocalist, linguist and music composer.

She was often criticised for having sanskritised the Barathanatyam, or being very Brahminical in her outlook etc. Nothing could be far from it as could be seen from the following observations.
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Many of us are aware of the kriti ‘sri bhargavi’ in the raga Mangalakaisiki. This janya of Mayamalavagaula is a grand old raga and this is the only composition extant to understand the svarupa of this raga.
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Featuring and archiving the exclusive works of young and established musicians.

I am Pranav, studying at APL Global school. I have been learning music since a young age and my main interest is in composing music for film. Film music has always inspired me as it gives me the weapon to make the audience feel what I want them to feel at the right time and place. So the way I practice film scoring is by just taking random cues from Youtube and just making my own score for the cue.
Track Genesis:
For me, this track is a mysterious world filled with different sounds and noises that makes you question the nature of reality. Read More

In conversation with Smt. Priyanka Sri Krishnan.

In conversation with Smt. Lakshmi Krishnamurthy. Read More

As India prepares to celebrate 75 years of independence, Indians living in Paris have one more reason to cheer, Mythri Mes Amis. Carnatic Conservatory of Paris (CCParis), under the patronage of Indian embassy in France, is organising a month-long cultural events to celebrate 75 glorious years of diplomatic relationship between India and France.
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Featuring and archiving the exclusive works of young and established musicians.

Prabhu Ram is a veena expert, hailing from Coimbatore. performed for Bharathiya Vidya Bhavan, Isha Yoga, Ramakrishna Schools and as associated with Sri Rajesh viadya a veteran veena player. He teaches and composes.
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In conversation with Vidushi. Hiranmayee Srinidhi. Read More

Featuring and archiving the exclusive works of young and established musicians.

Enchanted Core, aka Vickram Akaalkerath, is a DJ and music producer from Chennai, India. Enchanted Core's music is frequently regarded as being extremely dynamic and powerful. Ameno, SOS (remix), United, and others are some instances. Enchanted Core has been DJing for almost 2 years and has a strong foundation in commercial and dance music. He has performed at many of Chennai's prestigious night clubs, including lowerdeck, Sherlock's, Le Royal Meridien's Flames, and few other resto bars such as Message in a Bottle, Cycle Gap, and many more.
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Whenever my father used to go to Chennai, I will try to persuade him for getting brand New Records of TNR, Chembai & others, which he will get from Ebrahim & sons. This avidity for getting 78 rpm records continued in my life.
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Featuring Sri. Sirgazhi Govindarajan's concert from the Vinyl LP Collection of ANS.
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Featuring and archiving the exclusive works of young and established musicians.

T. Kishore began learning music at the age of 7. He initially learnt violin from Sri.T.S. Babu rao for some years and Currently he is under the guidance of Sri.M.S.G.Suresh kumar and Madurai.Sri.T Krishnamoorthy.

Kishore is proud to be under the music lineage.He is the grandson of mridangam and khanjira vidwan Madurai.Sri.D.Krishna Iyyengar.

Kishore has performed and accompanied kutcherys in various prestigious sabhas and has also given solo performances and has accompanied dance and namasankeerthanam.He has completed MFA in violin.
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Ganesha chases off unhappiness; He is happiness incarnate and is perfect; He resides in Poorvapa Nadesam; His is navel is prominently beautiful; He removes the problems of those seeking Him; the dust of sin is removed by Him....
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Featuring Radha & Jayalakshmi's concert from the Vinyl LP Collection of ANS.
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Featuring and archiving the exclusive works of young and established musicians.

R.Sai Bharath, an aspiring percussionist, a left hander, was initiated to music by his father identifying him with a natural inclination for sense of rhythm, when he started playing the Tambourine himself at an early age of 7. He had initial learning of Drums under Sri Murali Krishnan, Mrudangam under the direct guidance of Padma Vibushan Sri. Umayalpuram Sivaraman and Kanjira under Vidwan. Sri Sunil Kumar. He is also a qualified Sound Engineer and running a audio & video recording studio named Sai Rocks in Chennai, India. As an aspiring upa pakkavadya kanjira percussionist, has now started accompanying full-fledged Carnatic music concerts. Read More

Pandit Vishnu Digambar Paluskar, maestro of Hindustani music, preserved and propogated the musical form. He was the composer and the voice behind the original version of the popular bhajan Raghupati Raghava Raja Ram. He had also significantly contributed towards India's national song, Vande Mataram.
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Featuring and archiving the exclusive works of young and established musicians.

Dakshin, a multi-faceted personality, aspires and does many interesting activities like music composing, dancing and video editing. He wishes to spread a bundle of goodness through his works. Also acts in plays and movies.

He is trained in both Carnatic and Western Music, and plays Piano/Keyboard. A software engineer by profession, he has also worked as a mentor for Strategy and coaching for children. Read More

Hamzini Vaitheswaran, carnatic vocaist shares a Krithi for this Navarathri.